The setting for this show was a web of tight wires at various heights. Platforms just big enough for a foot connected each wire. One man opened the show with a monologue, telling the story of his twenty years as a wire walker, a career that ended after a fall at the beach left much of his body paralyzed. Though not directly stated, the performance seemed to be memories from his life before his fall--his growth as an artist, his successes and failures on the wire.
Seven performers blended dynamic and often anxiety inducing tricks with character interactions that ranged from romantic to playful to competitive. A live band heightened the action and anxiety with well timed musical accompaniment. Discordant sounds built tension as performers prepared themselves for spectacular tricks such as backhandsprings or backtucks on the springy wire. Though the show was full of technically skilled physical performance, close attention was paid to the narrative arc. The show had several phases, starting with a curious and playful beginning and transitioning to the struggle of acquiring new skills and relationships. Later it moved to choreography that seemed to be an allusion to Pina Bausch's, with a solo performer awkwardly moving along the lines, slamming her body into other wires, like the repeated movements in Café Müller. The performance ended with one woman on the wire and the paralyzed man standing below. In synchrony they walked along their individual lines, the woman on the physical wire, and the man on its shadow below.